Our stage plot, input list and monitor mixes (sample rider). Send it to your engineer before the show.
Stage plot
Upstage at the top, the audience at the bottom. Positions are as seen from the band’s side of the stage.
Upstage, back wall
6 m
Kai Morrow
Bass, backing vocals
815
Mix 3, wedge
Ade Bello
Drums
1234567
Mix 5, in-ear
June Hartley
Keys, backing vocals
101116
Mix 4, wedge
Tomas Lind
Guitar, backing vocals
914
Mix 2, wedge
Ruth Okonjo
Lead vocals, acoustic guitar
1213
Mix 1, two wedges
Downstage edge, audience this side
4 m deep
The stage from above, audience at the bottom, as we send it to every venue (sample). Each player stands on a tape cross; the chips are their channels on the desk, 1 to 16.
Input list
Sixteen channels. We bring the DIs, the lead vocal mic and the in-ear pack; please provide the rest.
Ch
Source
Mic or DI
Stand
1
Kick drum
Dynamic kick mic
Short boom
2
Snare
Dynamic
Clip
3
Hi-hat
Small condenser
Short boom
4
Rack tom
Dynamic
Clip
5
Floor tom
Dynamic
Clip
6
Overhead left
Condenser
Tall boom
7
Overhead right
Condenser
Tall boom
8
Bass
DI (band’s own)
None
9
Electric guitar amp
Dynamic
Short boom
10
Keys left
DI (band’s own)
None
11
Keys right
DI (band’s own)
None
12
Acoustic guitar
DI (band’s own)
None
13
Lead vocal, Ruth
Dynamic (band’s own)
Tall boom
14
Vocal, Tomas
Dynamic
Tall boom
15
Vocal, Kai
Dynamic
Tall boom
16
Vocal, June
Dynamic
Tall boom
Mic types are what we usually get; any good equivalent is fine (sample rider).
Monitor mixes
Mix 1, Ruth, downstage centre
2 wedges
Mix 2, Tomas, downstage right
1 wedge
Mix 3, Kai, upstage right
1 wedge
Mix 4, June, upstage left
1 wedge
Mix 5, Ade, drum riser
In-ear, our pack
Backline and power
Drum riser 2.4 x 2 m, at least 40 cm high
Four mains sockets upstage, one downstage centre
We bring our own amps, kit, keys and stands for our mics
Two cold waters and a towel for each player, please
Bring us to your town
Clubs, festivals, support slots and the odd wedding. Tell us the date and the room; we reply within three working days (sample).